ΓΙΑΤΙ
ΤΟ ΕΚΑΝΕΣ ΑΥΤΟ;
Τάσος Καλούτσας
Μάρτυρες
δὲν ὑπάρχουν πιά, γιὰ τίποτε
Γιῶργος Σεφέρης,
(«Τρία
κρυφὰ ποιήματα»)
BΟΗΘΕΙΑ! ΒΟΗΘΕΙΑ!
Ἡ κραυγὴ ἔφτανε στ’ αὐτιά
τους ἱκετευτική, σχεδὸν σπαραχτική. Τὸ δίχως ἄλλο ὁ ἄνθρωπος ποὺ
κραύγαζε βρισκόταν σὲ μεγάλο κίνδυνο.
«Βοήθεια!
Βοήθεια!»
Ράγιζε
τὴ σιωπὴ τῆς νύχτας. Ἔριξε μιὰ λοξὴ ματιὰ στὸ ρολόι του: περασμένες
τρεισήμισι!
Ἡ
σύντροφός του πετάχτηκε ξαφνικὰ πρὸς τὸ παράθυρο. Κατέβασε τὶς
γρίλιες.
«Τί
κάνεις ἐκεῖ;»
«Σσς» τοῦ ψιθύρισε. «Μὴν κουνηθεῖς καὶ μὴν ἀνάψεις φῶτα!»
Ἡ φωνὴ
τρεμάμενη, φανέρωνε τὴν ἀγωνία της.
Ὑπῆρχε
ἕνα κηπάριο μὲ γρασίδι μπροστὰ στὸ παράθυρό τους, τὰ κάγκελα τῆς
αὐλῆς κι ὁ δρόμος, σκοτεινὸς τὶς δυὸ τελευταῖες μέρες. Τὰ φῶτα στὶς
κολόνες ὁλόγυρα σβηστά. Μάλιστα θυμόταν ποὺ τοῦ εἶχε γκρινιάξει:
«Τί στὸν διάβολο, οἰκονομία κάνουν καὶ σ’ αὐτό; Κοτζὰμ θέρετρο…
μὲ τὰ σκοτάδια θὰ τραβήξουν τοὺς τουρίστες;»
«Βοήθεια!
Βοήθεια!»
Ἀκουγόταν
τώρα πιὸ κοντά.
Ἀκολούθησε
ἕνα βαρὺ τρεχαλητὸ κατὰ μῆκος τοῦ δρόμου. Μετὰ ἔγινε ἀπόλυτη σιωπή.
Στὸ διάδρομο ἔκαιγε ἕνα ἀσθενικὸ φωτάκι νύχτας. Ἡ νεαρὴ γυναίκα
στεκόταν ἀσάλευτη ἀνάμεσα σ’ αὐτόν, ποὺ μισοκαθόταν στὸ στρῶμα
του, καὶ τὸ παράθυρο, λὲς κι ἤθελε νὰ ἐλέγχει τὶς κινήσεις του. Μετὰ
ἔσκυψε σὰ φύλακας ἄγγελος πάνω στὸ κρεβατάκι τοῦ μωροῦ της καὶ ἀφουγκράστηκε
τὴν ἀνάσα του.
«Τί
φοβᾶσαι… Σιγὰ μὴ χωθεῖ κι ἐδῶ μέσα!»
Ἐκείνη,
ἀντὶ γι’ ἀπάντηση σκέπασε μὲ τὸ σεντονάκι του τὸ παιδί, ποὺ κοιμόταν
ἤρεμα.
Ὅταν
πιὰ δὲν ἀκουγόταν τίποτα, ὁ ἄντρας πλησίασε στὸ παράθυρο κι ἀνέβασε
τὸ στόρι στὴν ἀρχική του θέση. Πρόσεξε πὼς στὸ μεταξὺ ἀρκετὰ φῶτα
εἶχαν ἀνάψει —κατόπιν ἑορτῆς, βέβαια— στὸ ἀπέναντι συγκρότημα.
«Τόσο
πολὺ τρόμαξες;» τὴν ρώτησε. «Κατέβασες καὶ τὶς γρίλιες… Γιατί τὸ ἔκανες
αὐτό;»
Ἤθελε
πολὺ νὰ συμπληρώσει πὼς κανονικὰ θὰ ἔπρεπε ἴσως νὰ τρέξουν ὅλοι
νὰ δοῦν ἂν μποροῦσαν νὰ βοηθήσουν σὲ κάτι, τὴν ἔβλεπε ὅμως τόσο ταραγμένη
ποὺ δὲν τόλμησε.
«Ἐνῶ
ἐσὺ ὄχι;» τοῦ ἀπάντησε δύσπιστα.
* * *
Λίγο παράμερα, στὴν ἄκρη
τῆς πλατείας, ὑπῆρχε ἕνα μικρὸ συντριβάνι. Κάθε βράδυ ἕνας πίδακας
νεροῦ ἀναπηδοῦσε ἀπὸ τὸ κέντρο του, μὲ αὐξομειούμενη ἔνταση,
σκορπίζοντας πολύχρωμες ἀνταύγειες, μὲ τὴ βοήθεια κατάλληλων
προβολέων. Διάφοροι τουρίστες, ζευγάρια ἢ οἰκογένειες μὲ μικρὰ
παιδιὰ ποὺ τιτίβιζαν χαρούμενα, φωτογραφίζονταν μὲ φόντο αὐτὸ
τὸ σκηνικό, ὄρθιοι ἢ καθιστοὶ στὸ χαμηλὸ πεζουλάκι τῆς στέρνας.
Πρὶν λίγες μέρες εἶχε ποζάρει ἐκεῖ κι ὁ ἴδιος μὲ τοὺς δικούς του, τὴ
σύντροφό του καὶ τὸ πιτσιρίκι. Σήμερα, ἀπὸ τ’ ἄγρια χαράματα,
μπρουμυτισμένο, μὲ τὰ χέρια ἁπλωμένα μέσα στὸ νερό, ἐπέπλεε
ἐκεῖ μέσα τὸ πτῶμα ἑνὸς νεαροῦ ἄντρα.
Οἱ
πρῶτες φῆμες λέγαν πὼς ἐπρόκειτο γιὰ τὸν σύνδεσμο ἑνὸς παράνομου
διεθνοῦς κυκλώματος διακίνησης ναρκωτικῶν (καὶ λαθραίων) στὴν
περιοχὴ καὶ ὅτι τὸν ἔφαγε ἕνας Ρουμάνος τοῦ ἴδιου σιναφιοῦ. Ἀλλὰ
δὲν εἶχαν βρεθεῖ ἀκόμη τὰ ἀπαραίτητα τεκμήρια οὔτε ὁ ἀκριβὴς τόπος
διαμονῆς του. Ἄλλοι μιλοῦσαν γιὰ ξεκαθάρισμα λογαριασμῶν μεταξὺ
ὑποκειμένων τοῦ ὑποκόσμου, ὅπου ὡς γνωστόν, δύσκολα γλιτώνει κανεὶς
ὅταν μπεῖ στὸ στόχαστρο. Κάποιοι διατείνονταν ὅτι ἦταν ἁπλῶς τὸ
θύμα μιᾶς ἀπρόβλεπτης νυχτερινῆς ληστείας· ξέφυγε πιθανότατα
πρὸς στιγμὴν ἀπὸ τὰ νύχια τοῦ δράστη κι ἐκεῖνος τὸν κυνήγησε καὶ τὸν
σκότωσε, συγκεκριμένα τὸν στραγγάλισε. Οἱ ἐκδοχὲς ἦταν τόσες πολλὲς
ὅσοι κι ἐκεῖνοι (φαντασιόπληκτοι καὶ μὴ) ποὺ τὶς ξεστόμιζαν. Μέχρι
καὶ γιὰ ἄγριο σεξουαλικὸ ἔγκλημα ἔκαναν λόγο μερικοί, ἐπειδή,
λέει, ὁ δολοφονημένος ἦταν νέος ἐκπάγλου καλλονῆς.
Ἡ τοπικὴ Ἀστυνομία
ἔστελνε ἀπ’ τὸ πρωῒ ἐπείγοντα φὰξ καὶ ἰμέιλ πρὸς ὅλες τὶς ἁρμόδιες
(ντόπιες καὶ ξένες) ἀρχές, ἀλλὰ τί περισσότερο νὰ σοῦ κάνει μιὰ ὑπηρεσία,
μὲ ὀλιγομελὲς προσωπικό, στὴν ἄκρη αὐτῆς τῆς ἀπομονωμένης τουριστικῆς
περιοχῆς;
Τὸ
κρίσιμο ἐρώτημα ποὺ τέθηκε ἐξαρχῆς ἦταν ἂν ἐπρόκειτο τελικὰ
γιὰ τὸ ἴδιο ἄτομο πού, περασμένα μεσάνυχτα, καλοῦσε ἀπελπισμένα
σὲ βοήθεια. Πάνω σ’ αὐτὸ μᾶλλον δὲν ὑπῆρχε ἀμφιβολία γιατὶ βρέθηκαν
ἀρκετοὶ —γείτονες τους ἀλλὰ καὶ ἄλλοι— πού, ἂν καὶ δὲν εἶχαν δεῖ μὲ τὰ
μάτια τους οὔτε τὸ θύτη οὔτε τὸ θύμα του, εἶχαν ὡστόσο ἀκούσει (σὰν
μέσα σὲ ὄνειρο) τὶς φωνὲς καὶ τὰ τρεχαλητά τους, μποροῦσαν λοιπὸν
νὰ καθορίσουν μὲ ἀκρίβεια τὶς κινήσεις τῆς διαδρομῆς τους, μέσα ἀπὸ
στενὰ κι ἐρημικὰ σοκάκια, μέχρι τὸ συντριβάνι, ποὺ ὑπῆρξε προφανῶς
καὶ ὁ τελικὸς προορισμός τους. Ἐπειδὴ ἀκριβῶς ὑπῆρχαν αὐτὲς οἱ λεπτομερεῖς
ἀκουστικὲς μαρτυρίες, ἀποκλείστηκε καὶ τὸ ἐνδεχόμενο νὰ πρόκειται
γιὰ ἑνὸς εἴδους τρομοκρατικὴ ἐπίθεση κάποιου μοναχικοῦ λύκου,
ἀφοῦ δὲν ἀκούστηκε καμιὰ σχετικὴ κραυγὴ ποὺ νὰ ἐπικαλεῖται τὸν Θεὸ
(Ἀλλάχου Ἄκμπαρ!). Στὴν ἀμηχανία ποὺ ἐπέδειξε ὁ ἀστυνομικὸς διευθυντὴς
γιὰ τὸ γεγονὸς ὅτι δὲν ὑπῆρχαν αὐτόπτες μάρτυρες (ἔστω ἕνας!) ποὺ
νὰ ἔχουν βιώσει δηλ. ἐκ τοῦ σύνεγγυς τὸ περιστατικὸ (παρὰ μονάχα
διάφοροι ἐξ ἀποστάσεως ὠτακουστές), κάποιος ἔδωσε τὴ δική του
ἐκδοχή:
«Ἑτοιμαζόμουν
νὰ μπῶ στὸ μπάνιο, ὅταν ἄκουσα τὶς κραυγὲς καὶ σκέφτηκα νὰ βγῶ ἔξω νὰ
δῶ τί συμβαίνει, ἀλλὰ φοβήθηκα…». Πρόσθεσε ὅτι μιὰ ἄλλη φορὰ ποὺ
τοῦ εἶχε τύχει νὰ βρεθεῖ ἀντιμέτωπος (ἢ μᾶλλον συναπαντήθηκε τυχαῖα)
μὲ ἄτομο τοῦ ἴδιου φυράματος μὲ αὐτὸν ποὺ ἔψαχναν, τὸν εἶδε στὸ δρόμο
νὰ διαβαίνει κραδαίνοντας ἀπειλητικὰ μιὰ αἰχμηρὴ ματσέτα, μὲ ἀτσάλινη
λάμα πάνω ἀπὸ τριάντα ἑκατοστά… Ὁ ἀστυνόμος θεώρησε τὴν ἀπάντησή
του εἰλικρινῆ, ἀφοῦ πίστευε πὼς τὸ συναίσθημα ποὺ ἔνιωσε —κάτι
σὰν πανικό— ἦταν ἱκανὸ νὰ παραλύσει τὶς σκέψεις ἑνὸς ἀνθρώπου καὶ
νὰ μπλοκάρει τὶς πράξεις του, καὶ δὲν ἐπέμεινε ἄλλο στὸ θέμα.
* * *
Κάποια στιγμὴ τὸ ἴδιο βράδυ
τὰ μάτια τοῦ ἄντρα, λὲς καὶ ἦταν προγραμματισμένα, ἄνοιξαν ἀπὸ μόνα
τους. Κοίταξε λοξὰ τὸ ρολόι του: περασμένες τρεισήμισι!… Σηκώθηκε
ἀργὰ καὶ πλησίασε τὸ μισοκατεβασμένο στόρι τοῦ παράθυρου. Ἔξω
στὸ δρόμο σκοτεινιὰ καὶ πάλι —ἀφοῦ τὰ φῶτα στὶς κολόνες παρέμεναν
σβηστά— καὶ ἄκρα σιγή.
Ξεροκατάπιε,
σὰ νὰ ἔπαιρνε φόρα καὶ μετά, βάζοντας τὶς παλάμες χωνὶ γύρω στὸ στόμα
του πάτησε μιὰ δυνατὴ κραυγή:
«Βοήθεια!
Βοήθεια!»
Ἡ
σύντροφός του τινάχτηκε, πανικοβλημένη.
«Μὰ τί κάνεις;
Τρελάθηκες;»
Ἀπὸ ἔνστικτο
εἶχε σκύψει ἀμέσως πάνω ἀπ’ τὸ κρεβατάκι τοῦ παιδιοῦ της, πού, λαχταρισμένο,
ξέσπασε σὲ κλάματα στὸ ὕπνο του.
Ἐκεῖνος
στεκόταν ὄρθιος μπροστά της, σιωπηλὸς καὶ αἰνιγματικός. Στὴ σκέψη
ὅτι μᾶλλον τὰ εἶχε καταφέρει νὰ τὸν ἀκούσουν ὅλοι, τοῦ ἐρχόταν νὰ
γελάσει, ἀφοῦ αὐτὸ ἀκριβῶς ἤθελε: νὰ τοὺς ξυπνήσει, νὰ ταράξει
τὸν μακάριο ὕπνο τους, νὰ τοὺς αἰσθανθεῖ πάλι, ἔστω γιὰ λίγες μόνο
στιγμὲς —σκέφτηκε μ’ ἕναν κάπως χαιρέκακο τρόπο— νὰ παραμονεύουν
πίσω ἀπὸ τὶς κατεβασμένες γρίλιες τῶν σπιτιῶν τους, ἐγκλωβισμένοι
στὸ φόβο τους.
Περίμενε
μέχρι ν’ ἀνάψουν τὰ πρῶτα φῶτα ἀπέναντι καὶ μετὰ ξανάπεσε στὸ κρεβάτι
του.
Πηγή: Ἀπὸ
τὴ συλλογὴ διηγημάτων Ὑπὸ τὸ κράτος τοῦ τρόμου (ἐκδ. Μεταίχμιο,
Ἀθήνα, 2018).
Τάσος Καλούτσας (Θεσσαλονίκη,
1948).
Σπούδασε στὴν Φιλοσοφικὴ Σχολὴ τοῦ ΑΠΘ καὶ ἐργάστηκε
ὡς καθηγητὴς στὴ Μέση Ἐκπαίδευση. Πρωτοεμφανίστηκε στὰ γράμματα
τὸ 1983 μὲ διήγημά του στὸ περιοδικὸ Διαγώνιος. Πρῶτο
του βιβλίο ἡ συλλογὴ Τὸ κελεπούρι καὶ ἄλλα διηγήματα (ἐκδ.
Διαγωνίου, Θεσσαλονίκη, 1987. Πιὸ πρόσφατο: Ἡ ὡραιότερη
μέρα της (διηγήματα, ἐκδ. Μεταίχμιο, Ἀθήνα, 2010)
|
WHY DID YOU DO IT?
Tassos Kaloutsas
There are no witnesses now, to anything
George Seferis
(“Three Secret Poems”)
HELP!
HELP!
The cry reached their ears in a pleading, almost heartbreaking scream.
Undoubtedly, the one who uttered it was in great danger.
“Help! Help!”
The sound ripped the silence of the night. He looked askance at his
watch: past three-thirty!
His life-partner suddenly jumped out of bed and made for the window.
She put down the blind.
“What are you doing there?”
“Ssh,” she whispered to him. “Don’t move and don’t turn on the lights,
either!”
Her shaky voice betrayed her fear.
There was a strip of grass in front of their window; the railings of
the yard and the street had been dark the last two days. The post lamps all
around were out. She even remembered grumbling to him: “What the hell? Do
they save on electricity? Such a resort…in darkness and they hope to attract
tourists?”
“Help! Help!”
The voice was heard closer now.
It was followed by heavy, scurrying footfalls along the street. Then
complete silence fell. In the hall a dim light burned. The young woman stood
quite still between the man, who was half sitting on his side of the bed, and
the window as if she wanted to check his movements. Then she bent over the
baby’s cradle, like a guardian angel, and listened to his breathing.
“What are you afraid of…like he’s going to barge in here!”
The woman, instead of an answer, covered the baby, who kept on
sleeping calmly, with his small bedcover.
When nothing more was heard, the man approached the window and put up
the blind to its former position. Meanwhile he noticed that several lights
were turned on – too late of course – in the condominium across the street.
“So you were scared to death, weren’t you?” he asked her. “You even
put the blind down…why did you do it?”
He so much wanted to add that normally they all should have run to see
if they could help in something, but he could see she was so disturbed that
he did not dare to.
“You mean you weren’t scared?” she responded incredulously.
* * *
A little way off, at the end of the square there was a small fountain.
Each night a jet of water gushed out of its center in fluctuating intensity,
scattering a kaleidoscope of luminous colors through the use of proper
projectors. Different tourists, couples or families twittered merrily, taking
pictures of themselves, against this scenic setting, standing by or sitting on
the low stone wall of the pool. A few days before he, with his life-partner
and their little one, had posed to be photographed. Today, since the ungodly hour
of dawn, the dead body of a young man had been floating in the water with
outstretched arms and face down.
The first rumors went around that it had to do with someone involved
in drug and contraband trafficking in the area and done in by a Rumanian
belonging to the same gang. However, no necessary evidence had been found
yet, nor the victim’s exact residence. Everybody talked of a sort of payback
between scoundrels of the underworld, where, it is generally known, none is
easily getting away when one is being targeted. Some argued that the man had
been a victim of an unexpected nocturnal robbery; he might momentarily have
gotten away from his killer’s claws and was chased and killed, in particular
he was strangled. There were so many versions as those (with vivid
imagination or not) who spread them. Some went even so far as to hint to a
heinous sexual crime as the victim had been dazzlingly handsome. The local
police had been faxing and emailing messages to all authorities in charge
(both local and foreign), but what more could a police service be expected to
do when it is understaffed and situated in the far end of this isolated
tourist area?
The crucial question that was originally asked was whether the
incident finally concerned the person who had called for help the night
before. There was no doubt about this; for there were many – neighbors and
others – who though they had not seen either the killer or the victim, they
had heard, however, (distantly as in a dream) their voices and their scuttle,
and they could precisely determine the route they had moved along, through
narrow and deserted alleys until they reached the fountain – their
destination. Because of such detailed hearsay evidence, the possibility of a
terrorist attack by a lonely wolf – since no relevant cry Allahu akbar!
was heard – was excluded.
To the perplexity exhibited by the police chief before the fact that
there were no eye-witnesses (not even one! Only the ones that had heard the
shout from a distance) who could have experienced the incident closely
someone had given his own version:
“I was about to get into the bathroom when I heard the shouts and
thought of going out to see what was going on but then I was scared…” He
added that once when he happened to encounter (or rather to come across) a
person cut of the same mould as the one they were looking for, he saw him in
the street brandishing a sharp, thirty centimeter long steel machete… The
police officer assumed the man’s answer to be sincere, as he believed that
what the man had felt – something like panic – could paralyze one’s right
thinking and prevent one from taking action; therefore, he no longer pursued
the matter.
* * *
In the same evening, at some moment, the man’s eyes opened by
themselves in his sleep as if they had been scheduled to. He looked at his
watch askance: past three- thirty in the morning!... He slowly got out of bed
and approached to the half-closed window blind. Outside the street was dark
again, since the post lamps were out; deafening silence.
He swallowed nervously as if he was going all out for something and
then funneling his palms around his mouth he shouted at the top of his voice:
“Help! Help!”
His partner was taken aback by panic.
“What are you doing? Are you out of your mind?”
She had at once bent over her baby’s cradle led by instinct; the child,
startled in fright, began weeping in its sleep.
The man stood in front of her, still and mystifying. The thought that
he had probably managed to be heard by all made him laugh since that was what
he exactly wanted: to disturb everybody by rousing them from their blissful
slumber, to sense them again, even for a few moments – he thought maliciously
– lurking behind the closed blinds of their homes, penned in their fear.
He waited for the first lights to be turned on across the street and then
went back to bed.
Source: From the Anthology Under the Power of Terror (Metaichmio
Publishers, Athens, 2018).
Tassos Kaloutsas (Born in Thessaloniki, 1948).
He studied at the Philosophy Faculty of the Aristotelian University of
Thessaloniki and taught in secondary schools.
He made his debut in the literary circles in 1983 with a short story
in the magazine Diagonios. His first book The Windfall and Other
Stories, a collection of short stories, was published by Diagonios
Publishers, Thessaloniki, 1987. Her Best Day (Metaichmio Publishers,
Athens, 2010) is the most recent .
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Πέμπτη 14 Μαΐου 2020
Α SCREAM IN THE NIGHT - ΚΡΑΥΓΗ ΜΕΣΑ ΣΤΗ ΝΥΧΤΑ - Τ. ΚΑΛΟΥΤΣΑΣ
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